Thursday, April 24, 2008

Beauty Saloon

That was the misspelled banner I saw on a newly constructed building last Sunday. I laughed a little. But then my mind was barraged by images of women with bee-hives wearing chaps and spurs. Swinging doors, and stylists with holstered hair dryers. Someone knocking over a manicure station and starting a fight by smashing a bottle of polish and wielding a file.


In the third grade I played the lead in "Clementella" a Western version of Cinderella. I imagine Clementella would have gone to a Beauty Saloon. I don't remember much about that production -- I can't even remember who Prince Charming was -- but I do remember that my veil for the wedding finale apparently came off a wedding cake, or something, and smelled kind of sickly sweet, like decaying sugar, like maybe what Miss Havisham's veil smelled like. I remember it gave me a headache, but I went on stage smiling anyway, because, you know, show business.

And that pretty much sums up what it's like to exist in this business we call "show." Sometimes it makes you smile, sometimes it gives you a headache, most of the time it's both, but we go on anyway, because, really, there's nothing else to do. Or, as I heard Steven Spielberg once say, "The only thing worse than making a movie, is not making a movie."

Which means we're always somewhere on the "the show must go on" spectrum from: "Everything about it is appealing! Everything the traffic will allow! No where could you have that happy feeling...!" to "...It will be the silence, where I am, I don't know, I'll never know, in the silence you don't know, you must go on, I can't go on, I'll go on." (That's for you Beckett fans.)

It also means, we drive by misspelled banners and signs and imagine the show with that name. So even if we're only entertaining ourselves, well, you know...it's someone.

Friday, April 11, 2008

87 Pages

...this is the length of the rewrite I just completed on my pilot script. This number may not have a whole lot of meaning to those of you outside of the industry. And, in fact, if I were writing a feature comedy, this would be an excellent page count. I am, however, writing a one-hour drama. And, at 87 pages, well, I might as well be writing Roots. In other words, that's way too long. About 27 pages too long. That's almost half again as long as it should be.

Maybe, said a good friend who is also a writer, it wants to be a feature. It could be a feature, but here's the irony. Not enough happens for it to be a feature. So that's where I am. Too much is happening for a one hour pilot. Not enough's happening to be a feature.

There is the tantalizing idea of what is sometimes called a "backdoor pilot" - which is a TV Movie that becomes a TV series. However, I'm not sure it's something I should actually be aiming for.

So, what to do? One of the first screenwriting books I ever read, one that I actually used, and, actually, the only one I recommend (How to Write a Movie in 21 Days), recommends closing your eyes and watching the movie. You know what the movie (or, in this case, the show) looks like, at least subconsciously, so sometimes, if you let go of the need to describe everything in words, you can find what is missing. Also, if it's not there when you watch the movie in your head, then maybe you don't need it. This is what I'm hoping will happen.

So, here I go, closing eyes...and...roll film....

Thursday, April 10, 2008

My Eyes! My Eyes!

I just saw two of the Disney squirrels engaging in a decidedly un-G-rated act. I just had to tell you.

Hey, anyone else remember The Gnome-Mobile? One of my favorite live action Disney films ever, with the same brother and sister team from Mary Poppins.